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Virgin Mary

Anonymous. Alto Peru. The Virgin Mary of the Mountain of Potasiama. 18th century, oil on canvas, 53” x 41 ½”, Casa Nacional de Moneda, Potosí, Bolivia.  

The Virgin Mary was a prominent figure in Catholicism, and she was often the subject of many artworks, especially in Cusco art. Within the Andea region, she has been interpreted in different perspectives and she is associated with many miracles and legends. Her ability to co-exist between both the Andean culture and the Christian culture is a result from the fascination of female deities the Inka people worshiped. Her significance was not only important to Catholicism, but as an Andean as well. Artists that were a part of the Cusco school of art were commissioned by priests and missionaries to create artworks that depicted the Virgin Mary in many ways that appealed to the Spanish-Christian idea of beauty. Below, are the many representations of the Virgin Mary. 

Luis Nino. Alto Peru. Our Lady of the Victory of Malaga. Ca, 1737, oil on canvas, 59 ½” x 43 ¾ “, Denver Art Museum, Denver, Colorado.  

Anonymous, Cuzco, Virgin of the Rosary of Pomata. 18th century, oil on canvas, 78 x 51 in. Museo Pedro de Osma, Lima, Peru.

Anonymous. Our Lady of the Rosary of Pomata with St. Francis of Assisi and St. Teresa of Ávila, eighteenth century. Oil on canvas. Monastery of San Francisco, La Paz, Bolivia. Photograph by the author.

Anonymous. Our Lady of Belén with St. Charles Borromeo and an Unidentified Donor, ca. 1700. Oil on canvas. Church of San Pedro, Cusco, Peru. Photograph in the public domain.

Our Lady of Cocharcas, 1765, oil on canvas, 198.8 x 143.5 cm (Brooklyn Museum)

References

Damian, Carol. "The Virgin of the Andes: Queen, Moon and Earth Mother." Southeastern College Art Conference Review 14, no. 4 (2004): 303+. Gale Academic OneFile (accessed November 7, 2022). https://link.gale.com/apps/doc/A192353137/AONE?u=usc&sid=bookmark-AONE&xid=8a1413d2.

Emily Engel, "Our Lady of Cocharcas," Object Narrative, in Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (2014), doi:10.22332/con.obj.2015.2 

Stanfield-Mazzi, Maya. “Cult, Countenance, and Community: Donor Portraits from the Colonial Andes.” Religion & the Arts 15, no. 4 (September 2011): 429–59. doi:10.1163/156852911X580784

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